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    <loc>https://www.nadiaberri.live/projects</loc>
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    <lastmod>2020-09-05</lastmod>
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  <url>
    <loc>https://www.nadiaberri.live/houserules</loc>
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    <priority>0.75</priority>
    <lastmod>2020-09-09</lastmod>
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      <image:title>HOUSERULES - Hage</image:title>
      <image:caption>Rabih Hage is an architect and designer based in London and has very kindly given us permission to creatively explore his collection of furniture which occupies a unit in a transient community of industrials parks lining the Regents Canal. We have invited creative fellows from disciplines such as fine art, drama, music, dance, security, performance, etc. to respond to this particular location and setting. As always HOUSERULES approached situations and places embracing each particular location, its limitations as well as possibilities. Artists: James Blake, Ailsa Sinclair, Marcus Orlandi, Jayne Lloyd, Yiman Lin, Jeremy Lee, Artemis Crowly, Rejane Lhote, Laura Malacart, Rebecca Glover, Elspeth Sharp, Rachel Jane Conn, Luis Ignacio, Natalie Keymist, Jefford Horrigan, Nadia Berri, Ben Faga, Cristina Pedreira, Matthew Hammond, Ruben Green, Sophie Mak-Schram, Agnes Bakucz-Canario, Yen Lin</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>The Guided Tour: Canary Wharf On the occasion of the 2016 Artlicks Weekend HOUSERULES offered free guided tours by artists of various disciplines around Canary Wharf. These were researched tours about particular aspects of this unique place. The artists chose anything that interested them and approached the tour through their individual artistic lens. Participating Artists: Nadia Berri, Ben Faga, Jayne Lloyd, Victoria Burgher, Ailsa Sinclair, Artemis Crowley, Marcus Orlandi, Luis Ignacio Rodriquez, Natalie Keymist, Ruben Green, Sophie Mak-Schram, Titus Davies</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>HOUSERULES FOLLY was a one afternoon event on 5th December 2015.  From 12 – 3:30 pm twenty-four artists assembled at Queen Caroline’s Temple, a folly located in Kensington Gardens, to create an artwork that was in constant flux as artists ‘imprinted’ themselves on the work and in the temple.  Participating Artists Included:  Beatrice Vermeir, Nadia Berri, Ben Faga, Rejane Lhote, Erifili Missiou, Jeremy Lee, Victoria Burgher, Yiman Lin, Tom Pope, Andrea Hasler, Jack Catling, Luis Ignacio, Katriona Beales, James Blake, Gareth Fletcher, Jayne Lloyd, Cristina Pedreira, Matthew Hammond, Marcus Orlandi, Richard Baines, Robert Fung</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>For Artlicks Weekend 2016 (1-4 October) HOUSERULES was offering free guided tours by artists around the Rye Lane area in Peckham, responding to the neighbourhood through their individual artistic lenses. In the early Twenties Tristan Tzara, international promoter of Dada, travelled to Paris from Zurich to meet Andre Breton. What followed were a number of spectacles in the name of Dada. One of those was the ‘Dada Excursion’ in the churchyard of St. Julien Le Pauvre. The event involved writers Tristan Tzara, André Breton, Philippe Soupault, as well as artist Francis Picabia. It took the form of the guided tour, but instead of leading a historical tour of the architecture and artefacts in and around the church, he guided participants around the churchyard which at the time was used as a rubbish dump. It was not about art but about Life. Dada = yes to life! Contributing Artists: Daniella Valz-Gen, Jayne Lloyd, Ben Faga, Nadia Berri, Luis Ignacio, Victoria Burgher, Jeremy Lee, Yiman Lin, Jack Catling, Marcus Orlandi, Mirei Yazawa</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>HOUSERULES SUMMER SCHOOL was a free experiment that took place in London for the entire month of July 2016. It urged openness to new experiences and insights to be gained through communication between teachers and learners and between different disciplines. It was an intense period of learning and making, using the nomadic, collaborative and experimental approach cultivated by HOUSERULES. It was run by Nadia Berri and Ben Faga, the instigators of HOUSERULES. Ten people from various disciplines in the visual arts, dance, drama, film, literature, architecture or music were chosen to participate as learners through an open call and interview process. Contributing teachers were outstanding personalities from all walks of intellectual and creative life who delivered individual teaching sessions. They had complete freedom in the choice of their topic, organization of the session and its location. In this way we intended to be forever nomadic and to explore the potential of the city. Teaching sessions took any form: from a workshop, seminar, conversation, a formal talk or a visit. The aim was that teachers would not simply pass on their progressive, humanistic ideas and their artistic findings to the learners, but would continue to develop these ideas in dialogue with them. The afternoon sessions were held in a variety of spaces and places in London. The types of locations we worked in ranged from studios to laundrettes, car parks, heaths, warehouses, cafes, community centres etc. We usually started with discussions inspired by what happened in the mornings. We then eased into devising work individually and/or collaboratively. We wanted to create an environment of exchange and dialogue between the various disciplines as well as the themes presented throughout the month. HOUSERULES SUMMER SCHOOL was a participatory and indeterminate adventure for everybody and what happened was directed and shaped by all involved. HOUSERULES SUMMER SCHOOL is about the pleasure of learning, collaborating and seeing. As Joseph Albers who taught at The Bauhaus and Black Mountain College put it “What counts here – first and last – is not so-called knowledge of so-called facts, but vision – seeing […] Schauen as in (Weltanschauung)”. Its potential for a future expanded alternative liberal arts school FOR ALL has been inspired by the principles and ideas of schools such as Black Mountain College, North Carolina (1933 – 1957), The Bauhaus (1919 – 1933) and Joseph Beuys’ Free International University (1973 – 1988). Check out images, videos, sound from the month’s adventure! https://drive.google.com/drive/folders/0BwzHXsOZtfRwem1FQUd6Ui04a0U</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>The de beauvoir residencies were a series of residencies over the span of 12 weeks, during which 12 artists/artist collaborations responded to and produced work in a wooden shed within a residential loft in East London. Participating Artists for the de beauvoir residencies were: Judit Ferencz, Ben Faga, Nadia Berri, Rejane Lhote, Kate Tiernan, Jeremy Lee, Yiman Lin, Tatiana Baskakova, Victoria Burgher, Natalie Marr, Jayne Lloyd, Marcus Orlandi, Terry Dynes and Lillian Wilkie.</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>After HOUSERULES' first 'gig' in 20,000 sqf of deserted office space earlier in 2014, 18 artists were responding to and interacting with something totally different! An idyllic spot on Hampstead Heath. Jack Catling, Titus Davies, Aaron Williamson, Flossie Catling, Elena Colman, Yiman Lin, Erifili Missiou, Nadia Berri, Robert Brown, Victoria Burgher, Ben Faga, Matthew Hammond, Jeremy Lee, Jayne Lloyd, Kate Mahony and Cristina Pedreira.</image:caption>
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      <image:title>HOUSERULES</image:title>
      <image:caption>From February 4th, 13 artists occupied the fifth floor of a largely unoccupied office building in East India Docks, as part of creative director and curator Caitlin Mavroleon’s ambitious project, OFFICE SESSIONS, in which various art projects activated 100,000 sqf of empty office space. HOUSERULES was initiated by artist Nadia Berri, and the project was executed collaboratively with participating artists Tatiana Baskakova, Victoria Burgher, Terry Dynes, Ben Faga, Matthew Hammond, Jeremy Lee, Jayne Lloyd, Kate Mahony, Erifili Missiou, Cristina Pedreira and Daniella Valz-Gen and Rob Brown. Over 42 days the artists engaged in the development of constantly evolving work for, and in direct response to 20,000 sqf of a deserted office floor. This particular setting offered great potential, while at the same time the ‘houserules’ of such an environment set out contrived boundaries: it was within this tension that the project took place. HOUSERULES embraced the idea of indeterminacy within the restrictions of the 5th floor to bring, but also to question, freedom, action and play, in the context of an exhibition and also the given space. The participating artists work in a variety of media, including performance, film, installation, sculpture, text and sound.</image:caption>
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  </url>
  <url>
    <loc>https://www.nadiaberri.live/kfig-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-16</lastmod>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
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      <image:title>käfig</image:title>
      <image:caption>Responding to the location and using found materials, we used specific adjectives and nouns to prompt actions and performances, each building up on top of another. Cast: Victoria Burgher, Ben Faga, Nadia Berri, Luis Ignacio Rodriguez, Russell Marcelle, Haraldur Agustsson, Santa Semeli, James Blake, Jade SuperBat Wilford</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599656301002-FZW7H1UYN3565PN2DEBL/image-asset.jpeg</image:loc>
      <image:title>käfig</image:title>
      <image:caption>Responding to and using materials found in a derelict Lawyer’s Chambers on Chancery Lane. Cast: Nadia Berri, Jade SuperBat Wilford, Luis Ignacio Rodriguez, Haraldur Agustsson</image:caption>
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      <image:title>käfig</image:title>
      <image:caption>working with words inspired and collected from the surrounding area. Cast: Russell Marcelle, Haraldur Agustsson, Jade SuperBat Wilford, Nadia Berri, Luis Ignacio Rodriguez</image:caption>
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      <image:title>käfig</image:title>
      <image:caption>Responding to RE: PUBLICA, an exhibition by Jose Damasceno at Thomas Dane Gallery, London. Cast: Nadia Berri, Haraldur Agustsson, Jade SuperBat Wilford</image:caption>
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      <image:title>käfig</image:title>
      <image:caption>GHOST was a multidisciplinary month-long programme of events and exhibitions at Guest Projects, Yinka Shonibare’s London residency space and funded by Arts Council England and other supporters. GHOST was curated by the Marrakech based curatorial collective Mint Works, founded and run by Florence Devereux, Jean Feline and Tais Bean. When exploring the interface between the ‘guest’ and the ‘host’, memories of generosity or conflict can flood in. In this time of global movement, when mobility can be voluntary or imposed, how do we meet each other? How do we listen to one another, offer care, embrace differences, learn new codes, and cultivate generosity? Visitors could drop in throughout the day to enjoy alternative modes of care, one-to-one with artists or in small groups. Jade Wilford, Nadia Berri and Jony Hallam presented a Käfig performance responding to what was in the exhibition space; art works and other performances acted as backdrop and props. Objects, sounds, movements and performers grew temporary spaces in which collective narrative emerged. Both their audience’s feedback and their personal experience speak of Käfig’s ability to create both the comfort and challenge to collectively go to a state a little outside ourselves as individuals.</image:caption>
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      <image:title>käfig</image:title>
      <image:caption>In July 2019 Käfig was invited to The Cockpit Theatre in London to stage a new performance that was inspired by and responded to the themes of their summer festival ‘Nature Keepers’: ‘ urban nature’ and the book by Peter Wohlleben ‘The Hidden Life of Trees’. Artists: Jonathan Hallam, Nadia Berri, Jade Wilford, Haraldur Agustsson, Miranda Hampton.</image:caption>
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      <image:title>käfig</image:title>
      <image:caption>käfig VII: water returns to brutal form' is a beckettian visual/audio poem-performance in the form of a film-collage by multidisciplinary artist Nadia Berri. Berri has invited Manchester School of Theatre students - now isolating in different parts of the UK - and asked them to respond to four words: water; return; brutal; form. This disparately devised material has then been choreographed by the artist into a new whole. Starring: Marley Brown, Laura Masters, Kitty Watson, Lucy Carter, Cal Newman, Jake Cooke, Stefanie Hammoudeh, Casey Erickson, Matthew Leaman, Jack Moorby and Amelia Cox (All Manchester School of Theatre, 2nd Year). With contributions from Nadia Berri, Jade Wilford, Ned Prevezer and Jakob</image:caption>
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      <image:title>käfig - 'yvettecreekside' study I</image:title>
      <image:caption>Last year I have embarked on a journey exploring how I could ‘collaborate’ with just one body. The following are three short studies where I play with juxtapositions of solo performances and situations to a theme, using projections, laptops, analogue in-camera editing and simple post-production techniques. I) ‘yvettecreekside’ Meditating and responding to an abstract painting by my friend Yvette Blackwood. I move shapes, forms, directions, colours and materials in the work, twice, once without any other material, and once with my simple 20 meter black nylon strap, performed to camera, then edited together as a 'duet'. The spoken word text is randomly chosen - in the style of Tristan Tzara and the dictionary - from Antonin Artaud's 'The Theatre and its Double'. The spoken words strangely resonate with what is happening in my movement as well as what is happening in the painting. II) ‘verblist’ In this second study I translate Richard Serra's 'Verblist' (1967/68) into movement. In 'Verblist', he compiled a series of what he called "actions to relate to oneself, material, place, and process.", a strategy that I too explore in my practice. Here I juxtapose different immediate responses and performances to camera, layering live performance, projections, in-camera editing, postproduction etc. on top of each other to create a quintett. The soundscape, Ned Sydney Prevezer's 'brutal' one of four soundscapes he created for my project 'water returns to brutal form' in 2020, is randomly chosen and strangely works with the rest of the material. III) ‘walking’ 'walking' began with films and images of urban detritus and views encountered on my street. The material was first translated into spoken word, then movement, and finally the three were collaged together to create a ‘ballet’ of words, objects, views and choreography.</image:caption>
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      <image:title>käfig - heavy colour abstraction kills the orange in the round - activating empty ridley road studios…one last time</image:title>
      <image:caption>when activating empty buildings I don’t usually know what will happen, but I rather let the building tell me what to do. When I got there I drifted through the empty studios and I found things left behind in each one of them. I collected the objects (a bycicle tire, a basket, a dried out plant, a mirror, wood off-cuts, a street sign, a picture of Audrey Hepburn, a hose, strange rocks….) and placed them by the wall of the largest studio where I decided to work in. First I translated each object into movement/dance. Then I moved with the objects and created a set. The narrative or spoken word element is an automatic poem consisting of words written on blank cards referring to each of the objects. I put the words/cards into a bag and mixed them up and as they came out of the bag they formed the lines of the poem. The poem is performed by actor Greta Hansen at the end of the film and drives what happened at Ridley Road Studios to its absurdist conclusion. The soundscape laid over the juxtaposed films and stills was created by Ned Sidney Prevezer to my random brief of ‘yam’ that is referring to the area. Neither Greta or Ned knew what I did in the studios. It all is an aesthetic of concurrence.</image:caption>
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    <loc>https://www.nadiaberri.live/bern69-1</loc>
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    <lastmod>2020-10-27</lastmod>
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      <image:title>bern69</image:title>
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    <image:image>
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      <image:title>bern69</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1603471155499-WRM031HP2WFVJCFH9045/IMG_7437.jpeg</image:loc>
      <image:title>bern69</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1603471100317-3ODPHA10HF2LRMPNFT93/IMG_0559.jpeg</image:loc>
      <image:title>bern69</image:title>
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    <image:image>
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      <image:title>bern69</image:title>
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      <image:title>bern69</image:title>
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    <image:image>
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      <image:title>bern69</image:title>
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  </url>
  <url>
    <loc>https://www.nadiaberri.live/projects-1</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2020-09-05</lastmod>
  </url>
  <url>
    <loc>https://www.nadiaberri.live/works</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599660529210-ELAZIEQETG0ET86UXMQX/IMG_0511.JPG</image:loc>
      <image:title>2000 and ongoing - onaway</image:title>
      <image:caption>found material constructed into an installation, translated into a drawing, constructed into an installation - to be used as a score or set for theatrical and dance performances</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599660529210-ELAZIEQETG0ET86UXMQX/IMG_0511.JPG</image:loc>
      <image:title>2000 and ongoing - onaway</image:title>
      <image:caption>found material constructed into an installation, translated into a drawing, constructed into an installation - to be used as a score or set for theatrical and dance performances</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599497999958-F3KQ2FEOIB8N1UX32ZKG/choreography+to+text+and+objects%2C+2016.jpg</image:loc>
      <image:title>2000 and ongoing - choreography to text and objects</image:title>
      <image:caption>performers, text, objects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498123068-OYD3O9N0RWLXQVVG7K41/score+%28canal+scene+by+moonlight%29+-+pencil+on+paper%2C+2016.jpg</image:loc>
      <image:title>2000 and ongoing - score (canal scene)</image:title>
      <image:caption>automatic drawing (to be used as a movement score)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599497413490-KG31YXB0TJKQKNSI3YPM/testing+ground+%28spellbound%29+-+found+material.jpg</image:loc>
      <image:title>2000 and ongoing - testing ground (spellbound)</image:title>
      <image:caption>found material</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498207761-BT6XPCX10HD20XVY6RRP/photo02.jpg</image:loc>
      <image:title>2000 and ongoing - freedom and confinement</image:title>
      <image:caption>material improvisations in a garden shed placed in a small loft in Dalston, creating a narrative over 7 days, for de beauvoir residencies HOUSERULES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1745571888043-5P84H7G331G36EL017XR/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - last two minute extract of 'Now Voyager' - a sculptural performance in one act</image:title>
      <image:caption>Now Voyager is a sculptural performance featuring a giant red balloon inside a one-car garage on a council estate in East London. Created as part of LUPA (Lock Up Performance Art), curated by Jordan McKenzie, the piece responds directly to its environment—exploring the tension between containment and expansion. Beginning as a limp red skin on the floor, the balloon slowly inflates, pressing against the rigid frame of the garage until the two are locked in a silent confrontation. The question—unspoken but palpable—is which will give way first: the balloon (sensitivity) or the garage (structure). A meditation on fragility, resistance, and transformation, Now Voyager becomes a metaphor for the human condition—our constant negotiation with the limits that hold, shape, and sometimes, release us.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599564453790-GUO4KU1S14VC53LD86B7/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - 'the last waltz' on the heygate</image:title>
      <image:caption>volunteers, members of the public dancing to a compilation of waltzes that blared out into the empty Heygate Estate, Elephant and Castle, London before it was all taken down in 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599564700267-UM0WC79JXQCAT0INRT5R/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - the fundamental crisis of the object</image:title>
      <image:caption>chair, instructions, performance - by members of the general public using a chair as anything but a chair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498424026-Z2GXTK0TJJXJJX0K2OX0/3%29+IMG_0322.jpg</image:loc>
      <image:title>2000 and ongoing - filing 500 sheets of black paper, over and over...</image:title>
      <image:caption>Object / performance / installation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498608849-TDY7KGA59EGL3L17ZRX1/Time+%28small%29-1.jpg</image:loc>
      <image:title>2000 and ongoing - time</image:title>
      <image:caption>found object (needlework), retitled</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498689546-H9V0DZP9HNPFPVJ5VPSV/Ladder+Without+Steps+%28small%29-1.jpg</image:loc>
      <image:title>2000 and ongoing - ladder without steps</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599563888271-OMASCK9G29JZYA4JOTBL/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - masking tape horizon line</image:title>
      <image:caption>masking tape, performance, house paint</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599562029906-9AYUT13LJF930GZMSI7A/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - Awareness of Something yet to occur</image:title>
      <image:caption>theatre curtain, theatre spotlight, fan - performing object</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498739947-EAT44Q6OYOG89DBHPHFS/All+that+is+left....invisible+performance%2C+marble.jpg</image:loc>
      <image:title>2000 and ongoing - all that is left when other parts have been taken away</image:title>
      <image:caption>invisible performance, marble</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498792816-21D2XHHZHTZZ76LSY3JK/Emptyness+is+Form.jpg</image:loc>
      <image:title>2000 and ongoing - emptyness is form</image:title>
      <image:caption>off cuts from CSM wood workshop installed as a set for choreography / theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599567056332-C0TG74P87YOF5MQKJMST/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - 21/01/10 AM</image:title>
      <image:caption>‘performance’ for camera</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599566942614-5VM6PMXCCREVG1IC12K6/image-asset.jpeg</image:loc>
      <image:title>2000 and ongoing - Three Little Indians extract</image:title>
      <image:caption>video</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498902376-63WRXETQXXU92SRA3QNL/crutches+%28small+file%29.jpg</image:loc>
      <image:title>2000 and ongoing - props</image:title>
      <image:caption>manipulated crutches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599498853585-QNY900PBRCMH3NU6Z3SG/Chair%2C+situation+2000.jpg</image:loc>
      <image:title>2000 and ongoing - chair</image:title>
      <image:caption>chair, intervention on a highway</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1599497603055-704HDLB6RB5F6Z602SVI/timetable+-+inkjet+on+paper+2016.jpg</image:loc>
      <image:title>2000 and ongoing - timetable</image:title>
      <image:caption>Inkjet print on A4 paper</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nadiaberri.live/art-educational-consultant-lecturer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5105b41ff54a1322845237/1629640898430-681OMEMHUAW02TCI85TA/IMG_0733.JPG</image:loc>
      <image:title>art education / teaching</image:title>
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    <lastmod>2025-04-29</lastmod>
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